The Weeknd – Lincoln Financial Field – Philadelphia (A PopEntertainment.com Concert Review)

PopEntertainment
Aug 1
2 min read

The Weeknd – Lincoln Financial Field – Philadelphia, PA – July 30, 2025

The Weeknd’s concert on July 30th was an unforgettable experience. It was the first of two nights at Lincoln Financial Field in Philadelphia, and from the moment the show began, the atmosphere was filled with excitement and anticipation. The stage design was beautiful, with dramatic lighting, large screens, and a moody, futuristic feel that matched his sound perfectly.

The show opened with “The Abyss,” setting a dark and emotional tone. As he moved into songs like “After Hours” and “Heartless,” the energy in the venue continued to rise. The transitions between songs were smooth and thoughtful, making the entire set feel like one continuous story. The crowd responded to every moment, singing along and staying engaged throughout.

A standout moment came during “Can’t Feel My Face,” when the entire arena lit up. The crowd’s reaction was overwhelming, and it felt like everyone was completely in sync with the performance. Later, “The Hills” brought a much heavier, intense energy, with deep bass and striking visuals that added even more impact to the song.

Midway through the show, he slowed things down with emotional tracks like “Out of Time” and “Die for You.” The visuals during these performances were simple yet powerful, adding to the emotional weight without taking attention away from the music itself.

Toward the end of the night, songs like “Blinding Lights” and “Moth to a Flame” brought the energy back up to its peak. The lights, the sound, and the crowd all came together to create a memorable ending.

Overall, the concert was both impressive and meaningful. It was clear that every detail had been carefully considered, from the song choices to the visuals. The performance showcased The Weeknd’s talent, growth, and ability to create a full experience for his audience. It was a night that fans will remember for a long time.

Joshua Kanner